Posted in : Amazon Studios , TV| Tagged : the boy
During the SAG Awards , Jack Quaid share insights into the intense opening scripts for Prime Video & Showrunner Eric Kripke ’s The Boys .
It looks likeJack QuaidandKarl Urbanare pickings turns when it comes to share updates on how the 5th and terminal time of year of Prime Video andShowrunnerEric Kripke’sThe Boysis expect . First , Quaid shared a bloody look at himself from filming , followed by Urban countenance everyone know , " I ’m on me style , " in an figure of speech that showed him filming at heart of car ( we ’re assuming it ’s the same one he terminate the fourth season with ) . Now , it ’s Quaid ’s twist – offer some insight into how he felt reading the first scripts for the hit teem serial during a red - carpet interview at tonight ’s SAG Awards .
In the cartridge clip below , Quaid remark that the scripts – peculiarly for the first three episodes – are " intense . " From there , Quaid notes that the season starts off " in a pretty dark place . In terms of the finale , Quaid reveals that he has n’t read the handwriting but he does bang overall how thing will envelop up – just not the specific on how things get there . Quaid summate that they usually keep them aware of what ’s going to happen a pair of handwriting in the lead and that he ’s looking forward to interpret how the finale plays out .
Here ’s a looking at what Quaid had to share about the last trial of Prime Video’sThe boy :
Jack Quaid bring out what it was like interpret the first script for the last season for#TheBoysat the#SAGAwardspic.twitter.com/05GMQWbMJE
— The Hollywood Reporter ( @THR)February 23 , 2025
Eric Kripke on The Boys a Being “Political Show” Now
During an audience withForbesfrom earlier this year , Kripke discussed how the well out series has be given into being a political show and how current events bear upon the time of year ’s penning ( but not the show ’s endgame ) . " Look , I think ' The Boys ' probably , for honest or spoilt , is a political show at this degree . I think time of year four was political . I opine the populace has sort of grown to resemble the show more and more in a means that ’s not great . And so , we just sort of lean into it . I mean , the show is about why and how you should call into question your leaders . You should interview anyone who stand in front of you . You should wonder anyone who is pitching you simple answers to complicated problems and who is saying that they ’re the only ones who can save you – like those are grievous the great unwashed . Obviously , we ’re not timid about saying that , but I take a small bit of pridefulness in that for our bananas superhero show , we ’re one of the most current show on TV in damage of like reflecting exactly what ’s happening in the human race at this minute , and that ’s great . It ’s astonishing for a superhero show to be doing that . So , I ’m really proud that we pulled that off , " Kripke shared , remark that over the seasons , the writers start to embrace how the series and real life were reflecting one another .
After noting that not all of the script were write at the meter of the interview last month , Kripke shared how current effect routinely impact the hand as they develop from first draft to cinematography - approved . " I mean , search – things adjust all the time . That happened in season one when like the ' Me Too ' movement demote in the middle of the season , and we had to go back and rethink a lot of thing . So , we ’re sort of used to this organic movement of the scripts always transforming a fiddling bit , found on what ’s happening in the world . So , that does n’t really scare us . That ’s pretty equation for the grade . You ’re always rewriting these things the right way up until the day before they shoot and , sometimes , the day they shoot . So , we ’re used to change things as the man changes – but yes , we definitely adjust scripts as new events come to light , " the showrunner explained .
But in price of where the series and characters are heading during their final run , Kripke bring that the " big picture " endgame plan do n’t change . " We have , in terms of the big word picture of the storey , like it stay the same . I mean , especially in the final season when every role has to attain their climax – like we ’ve had those in our back pocket for a while and this season is mostly just figuring out how to get there , you live ? So , it ’s more like the stuff that the characters talk about that ’s happening in society , and some of the joke targets we ’re take , and some of that material change , but the independent bones of it stay pretty similar . "
A mail divvy up by Eric Kripke ( @erickripke1 )
Eric Kripke Is “Working Hard to Not Sell Out”
" We ’re gon na look at the chips we have on the table right now . I live in absolute terror of becoming the thing we ’ve been satirizing for five year , " Kripke divvy up during a recent conversation withCollider , explain why he go on to be cautious about enlarge the show ’s creation too much , too presently . " The thing about ' The Boys ' is that it ’s punk rock , and it hurts extra hard when thug rockers sell out . I ’m really working hard to not sell out . We do these shows because we really care about them and we ’re passionate about them , and they can tell fresh stories that we ca n’t tell in ' The Boys ' and not just be about speedy expansion but be very thrifty and aware about the choice we ’re making and being able-bodied to defend why we ’re create them . I worry about that every undivided day , " he added . " I just desire people to say , peradventure it ’s for them , and maybe it is n’t for them , but make ta hand it to them , they maintain a consistentlevel of quality . "
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