Posted in : Amazon Studios , Opinion , idiot box , TV| Tagged : opinion , prime video , the boys , trump
In Showrunner Eric Kripke ’s The Boys existence , Vought Fresh Farms found a way to " low " the cost of ball to " only " $ 19.99 per dozen .
Well , at least someone knows how to lower the price of eggs . Actually , grave that . At least someone is take the fourth dimension to endeavor to put a spin on $ 19.99 for a twelve eggs being reasonably priced . That ’s right!We’re back with another look at how the lines between ShowrunnerEric Kripke’sThe Boysand the literal world have pretty much been wiped clean – and how the marketing team behind the hit streaming serial is leaning hard on the political satire . For this go - around , Vought International is singe its own praises ( lurid ) over how Vought Fresh Farms now has a " historically new low price on our ball by the 12 " – the routine we hit you with above . Why ? Because Vought would wish you to believe that it " know and cares about how much patriot are paying for groceries " – and they guarantee " no woke yolks . " And who better to have as the look of all that whiteness than Misty Tucker Gray , aka Firecracker ( Valorie Curry ) , play in her klans of rooter ?
Here ’s a look at the late " breaking news " ( Vought ’s term for carefully craft propaganda ) on the egg front – while the price of nut still remain in high spirits in our world – despite Trump ’s best efforts at enacting thing that have perfectly nothing to do with trim the price of eggs because " ballock " was n’t a priority in that Project 2025 pronunciamento :
Vought get laid and deal about how much patriots are paying for groceries . That ’s why Vought Fresh Farms is proud to denote a historically fresh low price on our egg by the 12 . No woke yolks guaranteed!pic.twitter.com / yn1rSSAJsB
— Vought International ( @VoughtIntl)February 1 , 2025
Eric Kripke on The Boys Being “Political Show” Now
During an interview withForbesfrom to begin with this month , Kripke discussed how the streaming series has lean into being a political show and how current event impact the time of year ’s writing ( but not the show ’s endgame ) . " Look , I conceive ' The Boys ' likely , for well or worse , is a political show at this compass point . I think season four was political . I conceive the world has sort of grow to resemble the show more and more in a way that ’s not great . And so , we just sort of skimpy into it . I intend , the show is about why and how you should query your leaders . You should oppugn anyone who stands in front of you . You should wonder anyone who is pitch you simple answers to complicated problem and who is saying that they ’re the only ones who can save you – like those are dangerous masses . plainly , we ’re not timid about saying that , but I take a little bit of pride in that for our banana superhero show , we ’re one of the most current shows on TV in terms of like mull over exactly what ’s materialize in the world at this second , and that ’s great . It ’s amazing for a superhero show to be doing that . So , I ’m really gallant that we pulled that off , " Kripke shared , noting that over the seasons , the writers get down to embrace how the series and genuine life were reflecting one another .
After mention that not all of the scripts were write at the fourth dimension of the interview last calendar month , Kripke shared how current consequence routinely impact the scripts as they evolve from first draught to filming - okay . " I mean , look – things conform all the fourth dimension . That materialize in season one when like the ' Me Too ' drift broke in the middle of the season , and we had to go back and rethink a lot of thing . So , we ’re sort of used to this constitutional movement of the scripts always translate a little bit , based on what ’s happening in the earthly concern . So , that does n’t really scare us . That ’s pretty par for the course of study . You ’re always rewriting these things right up until the day before they photograph and , sometimes , the day they shoot . So , we ’re used to changing thing as the domain changes – but yes , we definitely adapt playscript as new events come to visible light , " the showrunner explain .
But in terms of where the series and characters are head during their final run , Kripke supply that the " bragging picture " endgame plan do n’t change . " We have , in terms of the big picture of the level , like it stick the same . I mean , particularly in the final season when every character has to make their orgasm – like we ’ve had those in our back pocket for a while and this season is mostly just figuring out how to get there , you make love ? So , it ’s more like the hooey that the characters talk about that ’s happening in society , and some of the joke target we ’re taking , and some of that stuff and nonsense changes , but the main ivory of it stay put pretty similar . "
A post share by Eric Kripke ( @erickripke1 )
Eric Kripke “Working Hard to Not Sell Out”
" We ’re gon na look at the chips we have on the mesa right now . I be in rank terror of becoming the matter we ’ve been satirise for five years , " Kripke share during a late conversation withCollider , explaining why he continues to be cautious about expanding the show ’s universe too much , too shortly . " The thing about ' The Boys ' is that it ’s punk rock , and it hurts extra hard when tough rocker sell out . I ’m really working hard to not deal out . We do these shows because we really wish about them and we ’re passionate about them , and they can tell fresh stories that we ca n’t evidence in ' The Boys ' and not just be about speedy expansion but be very heedful and mindful about the pick we ’re cause and being able to defend why we ’re making them . I worry about that every single twenty-four hour period , " he added . " I just desire the great unwashed to say , maybe it ’s for them , and possibly it is n’t for them , but got ta reach it to them , they conserve a consistentlevel of quality . "
bask this ? Please share on societal medium !
