Posted in : HBO , TV| Tagged : the last of us
The Last of Us designer Barrie Gower and Ann Foley discuss modernise the aspect of The Scars for the second season of the HBO serial .
Article Summary
As unexampled seeds for the fib were laid in season two forThe Last of Usin " The Path " , keep abreast the second episode " Through the Valley , " a watershed bit in the franchise that saw original protagonist Joel Miller ( Pedro Pascal ) fail at the hands of a revengeful Abby Anderson ( Kaitlyn Dever ) and her group . She lucked out after stumbling upon Joel , who helped her get away from a fungous drove . She subsequently led him and Dina ( Isabella Merced ) to her gob . As Ellie ( Bella Ramsey ) and Dina jell off on their journey to revenge Joel ’s death , they stumble upon a raw group , which was introduced in 2020’sPart II , the Scars . task with developing their look are prosthetics designerBarrie Gowerand costume designerAnn Foley , who talk withVarietyon how they would come out on television . The following containsminor spoilers .
The Last of Us Designers on Developing the Look of the Religious Group, the Scars
The Scars , which are also more commonly known toThe Last of Usgame fans as The Seraphites , are a primitivist craze and antagonistic junto inPart IIwho are at warfare with the Washington Liberation Front , which we also find out more about in the HBO series as Dina shares with Ellie on who was responsible for Joel ’s murder . As we ’re introduced to the group , they ’re walk on a path before Ellie and Dina line up them off later in the episode , in all probability from an ambush of gunfire .
Gower and Foley distinguished the adults and kid of the group , where kid under 12 would n’t have the scarring of their adult counterparts . The decorator start doing tests to find a " very uncontaminating " face . " They ’re very thin and delicate prosthetic widget which are made out of a paste , which is the actual adhesive material that we glue a lot of prosthetics on with , but it ’s whipped up in a food mixer and thickened , " Gower said . " By sculpting various different shapes and size of it and split up a duad into two pieces , we ’re capable to sculpt lots of generic piece and mix and cope with them with dissimilar performers . "
Gower tried four variations of mark . " We did what ’s known as the reverse scrape , so it ’s a depression of the skin . We also attempt a lift keloid scar as well , which is a bit of a difference from what we see in the game , " he read . As far as the ponchos the Scars wore , " The idea with the ponchos was , ' Maybe they took this off an previous boat and then they make these rainproof ponchos for themselves . ' It ’s all of this really great canvas tent that we found and then break down , " Foley articulate . " Some of that hooey was so steady you could make a collapsible shelter out of it . So we broadcast it to the stone washers and painted into it . The seraphite symbol on the back was all hand - painted by my crew . "
For more on Gower and Foley talking about the penury for the make-up and costumes to become flexible , peculiarly in the elements and more , you could discipline out thewhole consultation . you may catchThe Last of Uson Sundays on HBO and Max .
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