Posted in : Comics , Review| Tagged : City of Glass , shade , lifelike novel , paul auster , Paul Auster ’s The New York Trilogy , postmodern fable , the locked room
The New York Trilogy is one of the skilful pictorial novels of the year , go by the original prose novels to grow them into masterpieces .
Article Summary
The latePaul Austerwas a respected post - modernist author who frequently wrote New York as a state of thinker , not so much a urban center but a humor , and hisNew York Trilogy , in the beginning published in the 1980s , is a minor classic of data-based fable . The first Word of God in the trilogy , City of Glass , was to begin with adapted byDavid Mazzucchellias one of his first post - superhero whole shebang . Auster passed off in 2024 , but with his blessing , Paul Karasik , who artwork - steer the adjustment of the other two books in the trilogy into pictorial novel . Ghostsis illustrated by Italian artistLorenzo Matotti , andThe Locked Roomis drawn by Karasik himself . The termination might be a masterpiece , a single , thematically incorporate work surpassing the impact of the original prose version .
Each book in theNew York Trilogyis a standalone fib with a dissimilar main character and scenario , not so much plot as stories that start out look like the commencement of pulp noir detective whodunit but become something else . The trilogy helped cemented Auster ’s report as one of the premiere authors of American postmodern fable that deconstructed the tropes of fable and literature . The three novels take form a trilogy because they all bulge out as detective stories : an author named " Paul Auster " is tasked with investigating a murder even though he insist he ’s not a professional private detective , a private eye nominate Blue is take by a client named White to follow a valet named Blue , an author with author ’s block decides to investigate the disappearance of his childhood friend to get out of his falling off . All the stories do n’t go the usual route of investigation or plot twists , but become existential journeys of the Department of the Interior where each gentleman suffers despair , confusion , paranoia , identity element licentiousness , and a kind of death . The script abandon plot of ground wholly to question the existential subtexts that lie underneath every detective novel involving men ’s desperation to miss their own despair and fear of chaos and death . In the death , it ’s not getting killed or murdered but the death of the Self that ’s the true horror .
The graphic novel version ofThe New York Trilogyis a enchanting experience that surpasses the prose originals because , in putting flick to Auster ’s often ( measuredly ) stilted and increasingly abstract prose , they give the reader hoi polloi to latch onto and emotions the prose pack down . The original prose is intact where it matters and the art gives their meaning even impingement . With art showing the characters condescend into their personal hells , that reconfigures the New York they inhabit into a landscape that mull over their estrangement . The lifelike novel has turned a minor literary classic into a comics chef-d’oeuvre .
Paul Auster ’s The New York Trilogy : City of Glass , Ghosts , The Locked Roomis nowavailable .
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