post in : Fox , TV| Tagged : Juan Carlos Enriquez , the simpsons , treehouse of horror

Juan Carlos Enriquez spoke with Bleeding Cool about guest composing Jorge R. Gutiérrez ’s Treehouse of Horror XXXV ’s opening for The Simpsons .

It ’s dependable to say you ’ve made it into pop culture relevance if you ever have the opportunity to participate in the choice - time psychiatric hospital of Fox’sThe Simpsons , which is what happened toJuan Carlos Enriquez , who was the node composer for the time of year 36 instalment ' Treehouse of Horror XXXV , ' the animated series one-year Halloween tradition . Enriquez , who has been alive for over 10 years , has worked on several enfranchisement , includingRoboCop(2014),Fast , xXx : Return of Xander Cage(2017),Narcos , Fox’sLethal Weapon , and Ubisoft’sFar Cry . The composer spoke with Bleeding Cool about getting regard withThe Simpsons , work with opening sequence animatorJorge Gutiérrez , earn as much impact in such piddling time , and his biggest influences .

Juan Carlos Enriquez on His ‘The Simpsons’ Musical Journey

Bleeding Cool : How did you get imply with ' The Mrs. Simpson ? '

I was invited by the animator Jorge Gutiérrez , who was invited himself to do the custom chess opening of ' Treehouse of Horror XXXV ' this twelvemonth and I worked with Jorge on former juncture on this show , ' Maya and the Three , ' a miniseries on Netflix , and various pilots on Netflix . He invited me one day to work out on the music for his curtain raising and we started from there .

What inspired this theme , and did you finger any press to get involved with something as big as ' The Simpsons ' ?

First , in footing of the pressure , yes , I have feel tremendous pressure and province . I recognize a lot of eyes and ears were run to be focused on what we were doing . I gave it my good in terms of production and all my hard body of work . I gathered an awing squad to work on it to put my best understructure forward , and then , in term of inspiration , it was the visuals of Jorge with his animation style , which is colorful and characteristic of him . That was enough brainchild for that .

Since you have join forces with Jorge before , do you feel like you had to condense what you usually do with him ? Were you involved in any of the other music in the episode ?

I did n’t work on any of the other music in this ' Simpsons ' episode . That was done by Kara Talve , the lead composer at Bleeding Fingers Music . I only work on the opening and I had to concentrate it in a way , like the musical essence of what Jorge wanted in 22 seconds . That was one of the large challenge , make it feel musical with a musical arc and social organisation that made sentiency , was exciting , and tell what needed to be said in only 22 instant .

Was there any public lecture of any future tense ' The Simpsons ' coaction ? I know the ' Treehouse of Horror ' is usually its own thing , but perhaps down the tune ?

The doorway is always loose and I ’m always down for any future quislingism or other particular appearances . At the second , now it ’s this one - off particular bucket leaning situation .

What are your bountiful melodic influences ?

I come from a rock candy scope , so I love rock music , progressive rock-and-roll , and metal . I ’m a big fan of bands like Dream Theater , but also as a composer , I love the works of James Newton Howard and John Powell . I ’m all over the place as a music composer . We usually take inspiration from a lot of styles because we do n’t like to be keep by them .

Does it become promiscuous for you from one medium to another ? You ’ve worked across several genres , like for the game enfranchisement , ' Far Cry . ' How do you compare ?

The average changes sometimes the way you approach music , specially on platforms like video games . On this Jorge was very aboveboard because ' The Simpsons ' is straightforward , because he and I got only 22 seconds . We needed to give a stiff musical punch . I come near it like a hybrid of our Sung combined with a fit from any picture show or video show . For example , on telly show , you may develop matter on a longer arc , and in movies , you may do a slow burn , too . This was a fun challenge to be firm and good .

What ’s next for you ?

I have a Disney film come up in Latin America , open up on January 16 in Mexico in dramatic art , and finally , it will move on to Disney Plus . And I have a few other feature films on the horizon and fingers crossed more collaborations with amazing talent like Jorge .

The Simpsonsairs Sundays on Fox and is available to teem on Disney+ and Hulu .

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